Why Scorcese is right about corporate power, Part 2

Missed Part 1? Read it here. Part 1 introduced Scorcese’s argument in his Harper’s essay, which was about much more than Fellini. The first part also explained how we can connect Scorcese’s essay to the drive in the Hollywood film business for major film distributors to differentially accumulate, i.e., beat a benchmark that is relevant … Continue reading Why Scorcese is right about corporate power, Part 2

#34, Andrei Rublev. Dir., Andrei Tarkovsky

Andrei Rublev is a beautiful study of an artist's relationship with his/her social circumstances. With patient camera movement and long takes, Tarkovsky presents Rublev, the 15th-century Russian icon painter, as someone who is internally split between a desire to paint in ignorance of social turmoil and a curiosity to get as close as he can … Continue reading #34, Andrei Rublev. Dir., Andrei Tarkovsky