It is useful to start with simple truths when we consider the value of users to Netflix's capital accumulation. To accumulate revenues, Netflix needs users -- either to pay a subscription fee or to be the captive audience for advertising. Moreover, if revenues per user do not increase, such as from price inflation, Netflix will … Continue reading Examining user value in the economics of Netflix: the number of subscribers
Tag: hollywood
#300. The Life Aquatic with Steve Zissou. Dir., Wes Anderson
As Wes Anderson's fourth film, The Life Aquatic with Steve Zissou has an interesting spot in Anderson's career. Look backward and you can see within Life Aquatic many of the style choices that Anderson had used before. When looking forward, Life Aquatic is the beginning of Anderson's interest of using miniatures and stop motion animation. … Continue reading #300. The Life Aquatic with Steve Zissou. Dir., Wes Anderson
Contextualizing mergers and acquisitions in Hollywood, Part 1
A funny effect of media conglomeration in Hollywood is that many people, including myself, can use corporate names to signal whether we are speaking about Hollywood studios as producers of films, or as parts of giant media conglomerates. When we talk about this or that movie being produced by Warner Bros., Paramount, or Universal, we … Continue reading Contextualizing mergers and acquisitions in Hollywood, Part 1
Leaving California
To most of us, the beating heart of Hollywood film and TV is where we imagine it is supposed to be, in the historical studio lots of Hollywood, California. This must be where movie magic is made. To those working in film and TV production today, there is certainly not one dream factory, and even … Continue reading Leaving California
Netflix’s Crisis of Accumulation: chart book for my SCMS2025 presentation
I will be presenting at the Society for Cinema and Media Studies (SCMS) conference on Friday, April 4 at 6PM. Here is the chart book for the presentation, which contains sources and notes on all of the figures: [ PDF of SCMS2025 Chart Book ] Here is the original abstract I wrote for the presentation: … Continue reading Netflix’s Crisis of Accumulation: chart book for my SCMS2025 presentation
The habits of Netflix’s users
Like other streaming services, Netflix does not make its user data public. To date, there are two exceptions to this privacy. Netflix released a large dataset of anonymized user activity when it offered a one million dollar prize for the best AI model that could predict user ratings with data between 1998 and 2005. Netflix … Continue reading The habits of Netflix’s users
When Hollywood defines the limits of good cinema
On the question of who judges the quality of a film, it is easy to start with a notion that the ultimate judge of a film's quality is the individual moviegoer. As individual moviegoers, this is often what we think we are doing: we have the autonomy "decide for ourselves" if a film is good … Continue reading When Hollywood defines the limits of good cinema
2022 – Book – The Political Economy of Hollywood
I have recently published a book, titled "The political economy of Hollywood: Capitalist power and cultural production". It is the most comprehensive publication of my political economic research on the Hollywood film business. The book contains new and updated empirical research on the Hollywood film business, both domestically and internationally. Notably, I retrieved a large … Continue reading 2022 – Book – The Political Economy of Hollywood
Do all roads lead to the Oscars? Part II
[ missed Part I? you can read it here ] We ended the last post with a scenario of someone dreaming of their film going all the way to the Academy Awards. But I also waved away any dreamy smoke that clouds our imaginations about this outcome. As was shown in Figure 5, which is … Continue reading Do all roads lead to the Oscars? Part II
#137. Notorious. Dir., Alfred Hitchcock
My upbringing affects my perspective on Hitchcock's films. He was likely the only film director my parents would name in a conversation about cinema. When they talked about films, they recounted plot more than anything else, and sometimes an actor could be named; but that would be the extent of crediting cast and crew. Michael … Continue reading #137. Notorious. Dir., Alfred Hitchcock










